(See DRESS.) The mitpachath (Rth 3:15), tsaiph (Genesis 24:65; Genesis 38:14; Genesis 38:19), and radial (Song of Solomon 5:7; Isaiah 3:23). Moses' veil was the masveh (Exodus 34:33-35), related to suth (Genesis 49:11). An ample outer robe, drawn over the face when required. Mispachot, the false prophets' magical veils or "kerchiefs" (Ezekiel 13:18; Ezekiel 13:21) which they put over the heads of those consulting them as if to fit them for receiving a response, that they might be rapt in spiritual trance above the world; placed "upon the head of every stature," i.e. upon persons of every age and height, young and old.
        Re' aloth, light veils worn by females, called "mufflers" (Isaiah 3:19), from rahal "to tremble," i.e. tremulous, referring to their rustling motion. Tzammah, translated "locks" (Song of Solomon 4:1; Song of Solomon 4:3), the bride's veil, a mark of modesty and subjection to her lord. Isaiah 47:2, "take off thy veil," or "thy locks," nature's covering for a woman (1 Corinthians 11:15), a badge of female degradation. Anciently the veil was only exceptionally used for ornament or by women betrothed in meeting their future husbands, and at weddings (Genesis 24:65).
        Ordinarily women among the Jews, Egyptians, and Assyrians, appeared in public with faces exposed (Genesis 12:14; Genesis 24:16; Genesis 24:65; Genesis 20:16; Genesis 29:10; 1 Samuel 1:12). Assyrian and Egyptian sculptures similarly represent women without a veil. It was Mahometanism that introduced the present veiling closely and seclusion of women; the veil on them in worship was the sign of subjection to their husbands (1 Corinthians 11:4-15